If we’re going to cut, then lets cut deep. Some provocations:
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No one has any clear idea of what ‘Polkadot’ even is.
- Is it the relay chain?
- Is it the relay chains and the system chains?
- Is it the relay chains, the system chains and the parachains?
- Is it everything built on Substrate including solo-chains?
- Is it every DOT holder?
- Is it everything funded by DOT?
- Is it Kusama?
- Is it all of the contributors?
- Is it the brand?™
- Trademarks of Polkadot and Kusama are owned by W3F on behalf of ‘the community’.
- When ‘the community’ suggested launching a new Kusama website, we were initially told we can’t - we can so lets put that to rest, we’ll just wait for the PR disaster that is a ‘cease and desist’ letter.
- On further prodding with W3F lawyers on this topic (among others see below) it seems there could be support if ‘the community’ supported it.
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Why should we respect the opinions, design strategies and vision of anyone employed at Parity/W3F who have never actually been a part of the process that is on-chain governance systems?
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How can you possibly hope to design A Better Treasury System when you do not step inside the mechanisms you are designing and experience what it’s like to sustain work, a business or a project through funding?
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What is the legal status and liabilities of the treasuries, and of the DAOs built on and around Polkadot and Kusama and indeed DAOs such as KappaSigmaMu and The Fellowship?
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Why do we continually feel the need to kneel at the feet of the ‘bold visionaries’ who are cower at the sidelines of the systems they design or move their operations to some legal/tax haven letting ‘the community’ act as the true canaries in the coal mine?
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Why is there not some basic consideration regarding a duty of care of the sort you would expect with a truly public minded endeavour, especially given the lack of experience of most contributors?
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There is an ever increasing bureaucratic state - a box ticking culture that has zero understanding of the incentives and design systems required to cultivate the chaos that is essential for creative invention.
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Media output has to date has been myopic - thinly veiled attempts to market a token, through the theatre of independence and the hope of continued token holder benevolence when it comes to consistent funding.
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There is vanishingly little independent thinking, critique or challenge that is required for genuinely ‘public media’ that exists to hold the powerful to account, not bend down and shine their shoes.
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Polkadot is corporate. It is boring. It is everything it claims to critique, resist and subvert.
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“Web3” is a disaster as it is currently marketed and implemented - a slow moving car crash that will compound and accelerate all the worst aspects of the attention economy, adding direct financial incentives on top of social media creating increasing division, tribalism and a civil-society dumpster fire.
Much of Polkadot is unfixable - “distribution is destiny”, but the people, talent and ideas are fluid. In the end the only constant is change, its all just a story, it just depends what story we want to tell - what matters most, the mission or the marketcap?